In reality, it only takes Del Nero a few weeks to achieve this repulsive yet intriguing effect. With a background in building engineering and architecture, he creates realistic models out of black paper, which he then dampens and covers with a thin dusting of flour. The models are then placed in a transparent plexiglass case, where the mould takes over.
Within two days it starts to grow on the building’s walls and after just two weeks it dies and leaves behind what the artist calls “a dusty spider-web which covers the model like a rambler plant”.
Del Nero avoids direct contact with the mould, removing the glass cover only to take photos of his artworks, and he even used to throw the models away after shooting them, but his vision has changed and he now believes “the models are part of my work as well as my photographs.
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Daniele Del Nero says the idea for his grotesque collection, entitled “After Effects”, was inspired by man’s perception of urban spaces – “We are used to imagining our cities as permanent and definitive, but it’s amazing how little time it takes for nature to reclaim its spaces”.
